what kind of school has giant posters of their students that’s just weird
i saw this and just kind of assumed thats how things are in america
is that not how things are in america
it is not how things are in america
New Big Hero 6 footage
Liz Climo on Tumblr.
this really cheered me up
Have you heard? Dreamworks Animation and Studio Mir, the company behind Nickelodeon’s The Legend of Korra, announced Thursday they will work together to produce up to four new animated television series in the next four years.
This is huge both because a Korean company has never partnered on such a large scale with an American animation group, and because these shows will be created in 2D animation. I’m ecstatic!
It’s great to see that Korean animation is being taken seriously enough to be treated as a creative equal rather than just as a source of cheap production. Studio Mir’s work is undeniably beautiful, and if Mir’s talent can be combined with the storytelling prowess exhibited in How to Train Your Dragon 2, I will be a very happy customer.
An article inthe Korea Herald had the following to say:
“The contract with DreamWorks is meaningful since we will be working as partners,” Studio Mir founder and executive producer Yoo Jae-myung said.
“This has never been done before by a Korean studio.”
A Studio Mir spokesman said details regarding the titles of the cartoons could not be revealed, but that they would be in 2-D.
This is great news for both companies, since each has had some fairly concerning press in the past few weeks, between the financial troubles of Dreamworks Animation (now under direction of new chief financial officer Fazal Merchant) and the on-again/off-again nature of Korra Book Three, now safely on Nick.com.
Speaking of The Legend of Korra, Studio Mir uploaded a lovely picture on Facebook yesterday thanking fans for their support of Book Three.
- Courtney (HarmonicaCave)
Hadn’t heard about this at all. That’s awesome.
"The Blu-ray™, DVD and Digital HD feature hours of bonus materials that explore the world of dragons and more. Furthermore, the Blu-ray™ and Digital HD contain four exclusive featurettes, deleted scenes and a 60-minute behind-the-scenes documentary about the making of the film, shot and created by the film’s writer and director Dean DeBlois”.
OHHHHH MYYY GODDDS
After I saw him in The Cripple of Inishmaan, I anxiously waited to meet Daniel Radcliffe at the stage door so I could get this card signed. Because I was toward the back of the crowd, I didn’t think Daniel would even notice the card, but I was very wrong. As soon as he caught sight of the card, Daniel started laughing. He then took the card and explained how he had wanted to sign one of the cards ever since he had found out about it and signed it with my Sharpie. Then he THANKED me for bringing it and took my phone and took a selfie with me. Needless to say, I was very happy.
Hiccstrid Parallels (2/?)
omg I’ve always loved Astrid for this. She doesn’t just try and talk to him at a normal level, because she knows he avoids eye contact. He’s used of a life of people LITERALLY looking down at him, so he just escapes by glancing downward when he feels inadequate. But she won’t have it from him— she gets down ON HIS LEVEL and makes him look up. Makes him see what she sees: somebody worthwhile and worth looking straight in the eye.
this is so satifying
No, he wasn’t sad. He was full of hope.
I present the most badass gifset on Tumblr.
Legitimately turned on by this
This is the best thing.
Oh my god
I don’t even know this fandom and this is cool.
Reason #999 why the cartoon will always be ONE MILLION PERCENT better than that travesty of a movie. They did so much research and put so much detail in you don’t even notice.
Bonus trivia: Toph got a unique martial arts style to match her distinct version of Earthbending (Southern Praying Mantis style, I think) which the creators found out later was (according to legend) invented by a blind woman. Totally a coincidence, but still so fucking cool.
(If you don’t watch the show, Toph is both blind from birth and the best damn Earthbender in the world. Also, GO WATCH THE SHOW.)
how to walk like a queen [x]
This is the best acting lesson I have every seen in my life
Colors-13x19 Windsor and Newton gouache paint on Arches Watercolor Block
My sketches and work in progress shots for my “Colors of the Wind” painting for the Disney Wonderground Gallery.
This piece will release on Saturday September 13th (only two weeks away!) I will be there from 11am-1 pm signing and meeting guests. Stop on by if you can. The framed original, deluxe prints and postcards will be available for purchase and I will even do a little sketch for you if you’re nice. :)
If you are not in the LA area, never fear-You can place an order by emailing Merchandise Guest Services at email@example.com or call Merchandise Guest Services at 877-560-6477 (select option 2) For prints. Leave a voice mail if they don’t answer. WonderGround Gallery is located in the Downtown Disney® District at the Disneyland® Resort in Anaheim, CA.
ALL my Disney artwork is commissioned through the Disney company and is ONLY sold through the gallery-NEVER online on my Etsy shop.
Several people have asked what my process is so I will use this post to explain how I work. By no means is this how everyone should work or the “right way.” I’ve been drawing ever since I could pick up a pencil..I only wanted to draw and knew from an early age that all I wanted to be was an artist one day. Despite drawing “forever” I am a self taught painter and have only been painting since 2009. Prior to attempting to paint I told myself that it was too scary and I would never do it. Now it’s my artistic outlet of choice! :) I have spent hours of trial and error, experimenting with other artists techniques, paint brushes, different paints/paper and this is just what works best for me (at this point of my artistic knowledge! ha!) So keep that in mind when you are painting that your techniques may change over the years. The important thing is to keep practicing always. Evolving is a wonderful thing! :)
1. I first do a bunch of sketches. If i cannot get the pose right I will usually pose for myself and take a pic with my tripod or have a friend pose for me as reference. Never under estimate solid reference! I’ll do more sketches and once I feel that I have something that I like, I will rework it until I have pretty clean line work.I always start out with col-erase pencils and am currently really into Vermillion or Tuscan Red. You can use whatever colors you want! If I don’t have those handy though I love drawing with cheap BIC pens! :D
I use whatever thin paper I have lying around. Usually I will use animation paper that I still have from college (it’s a nice transparent vellum) but I will also use line paper, computer paper, tracing paper etc. Anything I can draw on!
For me, it really isn’t about how pretty the character is rendered or sketched but the feeling/essence of the character. Keep your sketches loose in the beginning! Most of my sketches aren’t clean and I’d deem them “embarrassing” but as long as I get something appealing, it’s all good. Appeal is VERY important! No matter how pretty it is, a boring character with a blank expression/lacking emotion is boring.
Don’t worry or put too much pressure on yourself to make nice sketches. I’ve spent too many years buying a new sketch book and holding it dear to my heart proclaiming that THIS ONE will be the perfect sketch book and all my sketches inside will be beautiful. In my years of drawing NONE have been filled with all beautiful sketches. Wanna know why? Because they are just bound pieces of paper to get the ideas out of our heads and in tangible form.That’s it! Sometimes they will be outstanding and sometimes they will suck. It’s ok! :)
2. I clean up the drawing, then scan it into the computer and bring into Photoshop to do a color pass to figure out how I want the final image to look. That can also be rough-it’s just good to know what colors you will be using and to make sure it’s working how you want. Much better than blindly painting later on using colors you “think” would look good. Remember to thoroughly plan your work and then work your plan. If you follow those two steps, you will win at most things in life!
3. Then my trick to keep the line quality of the sketch I will PRINT it onto my watercolor paper! Whoo hoo! No transfer paper for me! Whenever i use transfer paper I always lose the appeal of my sketch. When I print it out straight onto the paper, I retain the original sketch and if I mess up, I can just print another one! It’s pretty much like making your own coloring book page. lol
I don’t use this technique for all my work though-I only print the image from the sketch if it is a larger piece. Reason being is that I like to work small and when i get the proportions the way I want from a tiny sketch, if I try to re draw it larger-it just doesn’t look the same. That is why scanning and enlarging it in Photoshop helps me. For my mini originals and 8x10 commission work I just draw straight into the watercolor paper.
(I use Arches watercolor block cold press 140 lb.) Paper DOES matter. Hot press is smoother and cold press is more toothy (it will give you more of a textured look) Experiment and use what you prefer. I have a large fomat Canon Pixma Pro 9000 Mark II printer. The largest sheet it can take is 13x19 so I cut my watercolor paper to that size and feed it through.That is the largest I would care to work at anyway so it works great for me.
Print it out at a low opacity (I usually do about 30%) so you can see the drawing still but just very lightly. Also if you are doing a background color, paint it BEFORE you print your character onto it. The printer will still feed a painted sheet of watercolor paper.
4. Paint the whole thing and try not to mess up. (I mess up a lot.) To get the “colors of the wind” for this specific piece I use the dry brush technique. The brush is pretty dry with very little paint. Apply pressure heavier at first and as you make long brush strokes in whichever direction you are going, lift off the paper so the paint tapers off. PRACTICE A LOT first on a separate sheet of paper. I kid you not-with every brush stroke I did for the wind colors in this painting,I nearly gave myself a heart attack. I was sweating bullets and knew that one wrong move, (a heavy handed splotch of paint over Pocahontas’s face for example) and it would be the end of me. Luckily I prevailed.
I use Windsor and Newton gouache, Turner Acryl gouache and Holbein gouache. Personally one is not better than the other. I use different brands so I have more color choices. Work with what works best for you! My paint brush of choice is the Da Vinci Maestro brush and i painted Pocahontas and the colors of the wind/sparkle with that one.I actually use only that brush for all my paintings. Maybe it’s time to expand.
5. Add lots of sparkle. (you don’t have to but it’s very enjoyable to see ;) I prefer Martha Stewart craft glue and clear/white glitter.